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Other than several articles published in Blind Man issue number 2 from 1917, there was little to nothing published about the urinal, including the identity of Richard Mutt. Background is Marsden Hartley’s The Warriors. With Fountain, Duchamp was pushing the boundaries of the definition of art and authorship in asking questions like: “What is a work of art? Who gets to decide, the artist or the critic? Can a work derive from an idea alone, or does it require the hand of a maker? These questions strike at the core of our understanding of art itself.” Is it art because it’s made by an artist? What is the difference between a tea cup and a sculpture that looks like a tea cup? Why are functional items not art? Figure 1 Attributed to Marcel Duchamp. Alfred Stieglitz photographed the urinal at Gallery 291 and ultimately the original urinal was lost.
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After the exhibition, Duchamp resigned from the society because of the conservatism. Members of the society were appalled by the submission, and refused to display it, hiding the urinal in a back room. Duchamp challenged the society’s liberal take on art and artists, pushing to see if they would accept anything as a work of art. Artworks were to be hung/displayed alphabetically. The society was formed by artists who were subverting the typical exhibition favoritism of other art clubs by accepting anything that an artist submitted. Duchamp then submitted the urinal to the annual exhibition of the Society of Independent Artists, of which he was a member.
#R mutt 1917 full
R Mutt, or the full Richard Mutt, is a word play on the name Mott and also the cartoon characters Mutt and Jeff. He turned the urinal on its side, and signed it “R Mutt 1917”. Mott Pottery Company which had a showroom in the Upper West Side. In 1917 Duchamp bought a urinal from the J. Part of the allure of the ready-made is in the artistic choice of the object the other is in the reading of the form in an attempt to find meaning. Ready-mades are just as they sound: commercially manufactured everyday items. The art history Fountain myth goes like this:ĭuchamp began creating ready-mades in 1913, when he chose a spinning bicycle wheel as a work of art. Thompson argues that Baroness Elsa von Freytag-Loringhoven was the creator of Fountain by supporting a counter narrative of the creation of one of the most important works of art in the twentieth century. His research question is a fascinating one: Did Marcel Duchamp create the iconic 1917 ready-made Fountain? Dr. Glyn Thompson, a retired art history professor from Leeds University, in regards to our holding of early twentieth-century pottery company trade catalogs in the Sinclair New Jersey Collection. If you do not agree, do not access this Portal.Over the past two months, I have been conversing with Dr. By accessing this Portal, you agree to be bound by PMA’s Terms of Use and Cookie Policy. PMA uses cookies to provide and improve services on this Portal. If you do not agree, do not access this Portal. PMA shall not be responsible for and disclaims any and all liability for loss, liability, damage of any kind, injury, or expense of any nature which may be suffered by any user or any third party directly or indirectly arising from their access to and use of this Portal and its contents.īy accessing this Portal, you agree to be bound by these terms and restrictions. Please note that users are responsible for determining whether their use is fair and compliant with applicable copyright laws. The Philadelphia Museum of Art (“PMA”) does not warrant that use of the works and content displayed in this Portal will not infringe the rights of third parties. Users must comply with the Image Rights and Requests policy provided on the “About” page of the Portal. All intellectual property rights are reserved by the respective rights holders. Commercial use or exploitation of works on this Portal is strictly prohibited. Unauthorized or unlawful reproduction, redistribution, or use of any works on this site is strictly prohibited.
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#R mutt 1917 free
This Portal unites a number of museum collections and archival repositories in order to provide a free online research tool to discover the life and work of Marcel Duchamp.